Indie
Greats
Interview with Indie Filmmaker Dave Rodriguez
by
Josh Simpkins
(continued
from Main Page)
How
long did it take you write?
Well, from the time I had developed the idea and written the synopsis
to when I actually started to write the script was about eight years.
So sitting on the idea for that long enabled me to create a full
vision of what I wanted the story to be. So when I actually sat
down to write the script I cranked the rough draft out in about
four and a half days. I was inspired at the time and it all came
out pretty quickly. After the rough draft it took me about nine
to ten months to polish the script and get it ready. I thought it
was good but it lacked a few things. I wanted to make it more compelling
and I wanted to raise the stakes for each character. Also, I felt
like I needed to develop some of the secondary characters more and
make them more significant to the main characters and the story.
But, it took about nine months before I became confident that it
was ready.
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Dave
Rodriguez rehearsing a scene with Academy Award nominee Chazz
Palminteri |
What
was your next move?
Well, I knew that it proved my abilities as a writer but not as
a director. So, I decided to take different scenes from the script
and shoot a trailer, something that I could take around and show
people. I picked about nine different scenes, formed a small crew
and cast, and began to shoot. But, then as we started going I realized
that we had enough to cut together a short film. But, because the
priority and the primary goal was the trailer we cut a two and a
half minute piece together. I used that trailer with the script
and went out and started pounding the pavement. I sold my house
and took my last $5000 and went to New York. I promised myself I
wouldn’t come back until I had the money to make the movie.
I went there in August 2004, about a week before my birthday, and
a couple of days after my birthday I met Paul McMenamin. He liked
my trailer and believed in my script and decided to become my producing
partner.
So you guys teamed up in search of financing?
Right. Paul actually had a friend who had expressed interest in
the film business and Paul felt this might be the right opportunity
for him to invest. It turned out that was indeed the fact and we
moved ahead. Two months after I left New York we went into preproduction.
So after "Push" got financed how did you go about
finding the perfect cast?
I really didn’t just get the money and go cast the movie.
It was a real careful balance. I had a short list of actors I wanted.
Interestingly enough, I got most of the guys at the top of my list.
While Paul was securing the deal I was contacting these actors and
getting them the script. So, I timed it correctly so that by the
time the money actually dropped I was able to honor my agreements
with the actors. I was extremely happy with the cast. Chazz Palminteri,
Mike Rapaport, Paul Ben Victor, and Chad Lindberg are all people
I wanted to work with. Chad was an interesting situation. I didn’t
pick him because of The Fast and The Furious. I actually saw him
in a short film in which he had a scene sitting with a girl at a
booth in a restaurant. I just loved his performance and the way
he was delivering his lines and I just had to have him.
What was the production of “Push” like? How
was your first day on set?
My first day on set was a really interesting. I wasn’t nervous
at all. Three months earlier I had gotten behind the camera and
shot the trailer and learned a lot during that experience. I felt
confident in the script and dealing with the actors. I certainly
lacked some technical knowledge because I didn’t have the
opportunity to go to film school. But, I definitely knew my vision
and what I ultimately wanted to express and I knew I could direct
talent. The first day was a really easy day. We shot the last scene
of the movie which ended up on the cutting room floor and a bunch
of inserts. You know, stuff to get the blood flowing. I never felt
as though I was out of place. By the time we were in the first and
second week of shooting I was extremely comfortable behind the camera.
"Push" is your first feature. What lessons do you feel
that you can take from it?
Well, I think that mistakes are inevitable. But, there are a couple
elements that I will definitely focus more attention on next time.
The first is I would like a day or two to do camera tests to help
me determine what I want to see, how I want to see it, the framing
and composition of the shot, what lenses I want to use and so forth.
The second element would be selecting key people that have a lot
of experience. This includes the Production Designer, Costume, Director
of Photography and Editor. Not that any one of those components
was really bad but you certainly eliminate the possibility of errors
when you have experienced professionals in those positions.
Do you have any advice to aspiring filmmakers?
Yes, tons of advice. But, if I had to narrow it down there are three
main pieces of advice I would give to anyone that wants to get a
film made. The first one is you are going to hurt a lot of feelings
along the way but don’t do favors that can’t help your
first movie because it is going to be your most important in terms
of jumpstarting your career. The second is making sure to hire the
very best people in the four key positions I mentioned earlier.
They will have a definite influence and obvious effect on your final
product and what people see up on the screen. The third piece of
advice I would give is explore every avenue, never give up, be tenacious,
be motivated, and don’t take no for an answer. Just go balls
to the wall until it gets done.
What’s the number one quality you think a filmmaker
should have?
Work ethic. Without work ethic you’ve got nothing. A lot of
guys out there think they are going to make it on their talent alone.
Nine out of ten times, in the beginning, the guys that really make
it, their ambition exceeds their talent. As a filmmaker you’re
gonna learn with every film, with every music video, with every
commercial, so it’s a travesty to think that your talent,
or your hot script, or awesome concept alone is going to carry you
to the promise land because it’s not. It’s the work
ethic behind it that will enable you to succeed.
Any plans for the future?
Yeah. Right now I am in the process of forming a music video company,
Severe Entertainment, in Miami. I like to stay busy and I figured
music videos would be a good way to keep me working in between features.
I’m also working on a new script.
Dave Rodriguez currently lives in the Miami area. "Push"
is his first feature film.
For more information visit Severe Entertainment's website: www.severeent.com